Inform us a little bit about your self. The place did you research?
I grew up in New York Metropolis and London. I received my BFA in images at Tisch College of the Arts, NYU, after which went on to get my masters from FIT in vogue and textile research. Afterward, I did two years towards a Ph.D. in vogue historical past at LCF. Whilst a little bit baby, I used to be all for vogue and particularly historic vogue—poring over outdated picture albums, digging via trunks in my grandparents’ attic, obsessing over paper dolls primarily based on previous eras. As quickly as I may learn, I used to be studying about vogue, after which I began amassing classic from secondhand outlets and automobile boot gross sales once I was a pre-teen, so it’s unsurprising that I made vogue historical past my profession.
As a vogue historian, how would you describe your job to those that don’t know what that’s?
I research, analysis, and write in regards to the interconnections between vogue and tradition all through historical past—seeking to situate gown as an integral a part of the tradition, each shaping and formed by how we stay our lives. Most of my work presently is writing articles and consulting with manufacturers about vogue historical past, however I’ve additionally curated museum exhibitions, written books, and given talks/seminars about vogue and cultural historical past.
You may have a severe classic assortment. What period of clothes do you personally love and gather probably the most?
I actually adore 1967 to 1973. It was an period of actual fantasy in vogue. Historic revivalism met Bohemian luxe in a theatrical ode to occasions previous and far-off locations.